Print Email to Friend| From Tehelka Magazine, Vol 9, Issue 09, Dated 03 Mar 2012 CULTURE & SOCIETY   MASTER TAKES Master takes Compiled by Aradhna Wal & Naina Manjrekar Monochrome A work by Ashish Soni Rohit Chawla On Art I generally don’t go for exhibitions twice. However, I broke that rule for Ashish Soni’s installation Absolut Soni: 20 years in Fashion — Retrospective Exhibit, at the Aman Hotel, New Delhi. A first-rate show, it could easily be in The Metropolitan Museum of Art, New York, or any other internationally renowned gallery or museum. It makes mincemeat out of the mediocre exhibitions by other, usually better, artists. It showcases 20 years of his life in the fashion industry, and incorporates some of his greatest work. The colour palette is black and white with a superb finish. It is one of the best things I have seen by a designer. Chawla Is A Delhi-Based Photographer ‘The couple in love gets disrupted by a sophisticated and irresistible outsider Usha KR On Books Edith Wharton’s scintillating The Age of Innocence is set in turn-of-the-century New York, a diamondhard society that lives “in an atmosphere of faint implications and pale delicacies”. The love triangle recognisable even today — a couple disrupted by a sophisticated, irresistible outsider’s allure of forbidden experience. Wharton manages to be evenly sympathetic to all her characters. Usha Is The Author Of A Girl And A River The voice of an age Peter Gabriel of Genesis George Mathen On Music I’ve been listening to the 1970s progressive rock these days; King Crimson, Yes and Genesis. Genesis was truly great when Peter Gabriel was part of the band. All three bands never had any hit singles at the time, but gathered a cult following because of their concept albums and kick-ass album art. They had weird music and time signature changes. Phil Collins was far more interesting as the drummer of Genesis, than as a vocalist. Mathen Is The Drummer Of Bengaluru-Based Lounge Piranha Fin A still from Goodbye, Dragon Inn Ranjan Palit On Film Tsai Ming-Liang’s Goodbye, Dragon Inn is a film about oddballs watching an old martial arts movie in a theatre about to shut down. It is about lost connections, isolated souls, bygone times and the demise of celluloid. Two old men from the audience lament the fact that their films aren’t watched any more. We realise that they were the combatants in the old martial arts movie. In the last scene, the usher pulls down the shutters, walks out onto the street in the rain and Tsai’s static camera, holds the frame as she walks away: a passing on... Palit Is A Kolkata-Based Documentary Filmmaker Ritu Dalmia On Food Zambar is one of the best places for south Indian coastal cuisine in Delhi. Located in Vasant Kunj’s Ambience Mall, its USP is the food’s home-cooked-like freshness. The person in charge of the kitchen is ex-filmmaker Arun Kumar, who left his old career for his love for food. My favourite dishes are the meen moilee, the thick dosas that are to die for, and achamma lamb curry. They also experiment with Parsi and Andhra food. The flavouring and spices are always very well executed. The clientele is generally people who love food, like big Punjabi families. It’s not a place to be seen at, but to eat your heart out. Dalmia Is A Chef And The Owner Of Diva, New Delhi Related Korou Khundrakpam On Art Anurag Mathur On Books Shikhar Manchanda On Music

Print Email to Friend| From Tehelka Magazine, Vol 9, Issue 09, Dated 03 Mar 2012